Nick Turner
Concept design, previsualisation and on-set editorial support
IMDB
CONTACT
Meet Nick, the globe-trotting maven with a passport full of stamps and a mind brimming with ideas. From the rainy streets of the UK across the sunny shores of Brazil to the wild outback of Australia, he's collected experiences like rare souvenirs.
With a career as eclectic as his travel itinerary, Nick has danced between indie flicks and Hollywood blockbusters with finesse. Whether he's crafting VR dreams or sketching digital storyboards, he's the go-to guy for turning brainwaves into breathtaking visuals. Need help getting those ideas out of your head and onto paper? Nick's your guy.
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"One of Nicholas' greatest strengths is his ability to build light studies that assists tremendously in bringing a scene to life. He has a keen eye for detail and his skills were imperative in assisting me creating a wide range of moods and emotions on the set of Dune. These skills were particularly evident in his work on the more dramatic and visually complex scenes. In fact, I would say that Nicolas’ contribution was paramount in me winning the Academy award for cinematography in the 2022 Oscars."
Greig Fraser - Cinematographer - Dune
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"The animatic is AMAZING!!! Your angles and everything are spot on!!! Keep going!"
Jared Hess - Director - Minecraft, Napoleon Dynamite, Nacho Libre
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"Nick’s creative technical skills were showcased on the projects where I hired him on The Flash and Heart of Stone, where I again served as the Second Unit Director. He performed duties of providing my team with storyboard animatics, location light studies, and pre-viz templates for the action sequences I designed so my team could breakdown and follow during prep and our rigorous shooting schedules. He did a fantastic job and played a key role in helping our team finish our shoot on time and on budget. I would hire him repeatedly as his skills are an asset to any production and his contributions to the projects he has worked on have had a resounding effect as the projects he has worked have all garnered critical acclaim from The Golden Globes, BAFTA, and AMPAS."
Rob Alonzo - Second Unit Director - The Flash and Heart of Stone
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"My assistant [to the director of photography] Nick Turner made incredible previz breakdowns that showed the roll axis and tilt inclination of the airplane and where we’re at in the sequence. You have to methodically break it down and commit early on. A DP on a smaller movie could maybe change things on the day, but not on something like this, because the camera rigs have to be vetted by special effects and visual effects. You really have to engage with your effects departments and do incredible amounts of homework so you always know where you are in the scene and not lose sight of the storytelling in a sea of technical details."
Ken Seng - Cinematographer - Terminator Dark Fate in an interview with ASC Magazine
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"That's fucking sick"
Idris Elba - Director - Above The Below
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"Nick has gotten me out of so many stitch-ups you wouldn't believe"
Will Wright - 24 Frame Playback Technician - Fast and Furious Presents: Hobbs and Shaw
